Five broken eggs, these are not five broken eggs 2016/2019/2020

Paper, 8.3 × 11.7 inches, Copy Machine Print
A broken egg, Acrylic paint, 8.3 × 11.7 inches, Free Range Oriental Seagull RC, 8 x 10 inches, Gelatin Silver Print
Ilford Multigrade Art300 FB, 8 x 10 inches, Gelatin Silver Print Ilford Paper Matte FB, 11 x 14 inches, Gelatin Silver Print








The limits of my language mean the limits of my world.（Wittgenstein, 1922）

This work was extended by my previous set of work, WHITE. WHITE was my first darkroom series and I’ve learned how to evaluate photography as an art form from that process. I’ve realized that it is a huge language system which connected to the visual, material, history, aesthetics, and philosophy. It is also a system to teach people how to realize the world. However, most of time, it’s difficult to find specific words to describe the objects that we see and we are sometimes lost for words in how best to describe what we have seen. Suddenly you’re lost in translation, speechless and wordless. I orchestrate my materials into a language system which articulated the visible and the articulable formation. Furthermore, I have more interest in what is the possibility of the audiences, the subject and the object.

Installation view of the exhibition


Installation view of the exhibitionInstallation view of the exhibition
Photo:Lucy Tibbs

Installation view of the exhibition
Photo:Lucy Tibbs